THE LISPS

 

The Lisps was a band created in 2005 by César Alvarez and Sammy Tunis. We recorded 4 albums, played hundreds of shows and wrote a musical, FUTURITY. After our musical premiered off-Broadway in the fall of 2015 we all moved onto other projects but are all still friends and collaborators. Our core members were César Alvarez, Sammy Tunis and Eric Farber.

Our recorded music is available on Bandcamp,
Soundcloud and Spotify

photo by Elmore Richmond III

 ABOUT:

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In a tiny hotel room in Amsterdam during the summer of 2004 Sammy sang one of César’s songs on a whim. It sounded incredible, or maybe it was just because of how magical it is to be in a tiny hotel room in Amsterdam, but either way The Lisps were born. In 2005 we started recording an EP in our apartment in the South Bronx, playing shows at house parties and luring our musician friends on stage with us. The Lisps’ music is a rambunctious assemblage of quirky earnestness, absurd verbosity and neo-vaudevillian hijinx. The ruthless banter between Sammy and César, Eric Farber’s ever evolving worlds of found percussion, DIY costumes and experimental sonic meltdowns were signatures of our live shows.

The Lisps had four amazing bass players over 10 years: Freddy Epstein, Lorenzo Wolff, Jeremy Hoevenaar and Kyle Forester. Mikey Palmer was our drummer before passing the throne to Eric Farber in 2007, and Luke Winslow King was in the earliest version of the band. Ben Simon is an honorary Lisp as he joined us for multiple versions of FUTURITY and The Good Person of Szechwan.

photo by Chad R. Nicholson

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 Why were we called The Lisps?

When I was a kid I had a very strong lisp, and when I was in 6th grade I smashed my two front teeth, which caused a lifelong complication with my mouth, teeth and sibilance in general. In 2003 posted some songs to a site where random strangers give feedback on your music. One of the anonymous commenters said something to the effect of, “I like this track but it sounds kind of lispy.” At first I was offended, but then I started to see the comment as a provocation. What is music that is lispy? Am I lispy? What’s so bad about being lispy?

When Sammy and I started singing together in 2004 I was fascinated by her voice, and thought there was a way that she sounded lispy like me. She disagreed, but we joked that if we started a band we could call it The Lisps. She maintains that it was her idea. I think it was mine. But we’ve agreed to disagree, and about a year later when we started recording and performing for our friends, we said we were The Lisps with out a lot of discussion.

Over the years the name felt like a drag sometimes, as people thought we were making fun of lisps, or they would use our band name as an opportunity to imitate a lisp, when really I was trying to confront my own self-consciousness about my speech, and to turn a perceived weakness into a calling card. The reason it made sense to me as a band name was that the project of the band was to lead with our soft silliness. To treat our shortcomings as strengths. At their best our songs were meant to be little pranks that sampled the nostalgia of Americana in order to unveil our vulnerability.

photo by Jeri Orling

 MUSIC:

The Lisps recorded 4 albums:

FUTURITY

LP (2012)

Country Doctor Museum

LP (2008)

Are We At The Movies?

LP (2011)

The Vain, The Modest and The Dead

EP (2006)

 PHOTOS:

 The Lisps played a lot of shows in NYC and toured the country multiple times playing bars, clubs, illegal lofts, retirement homes, living rooms and pizza parlours. Here are some photos from our shows and tours….

 THEATER:

photo by Kellam Clark. Mirror and Neon by Gandalf Gavan

photo by Kellam Clark. Mirror and Neon by Gandalf Gavan

From 2008 to 2015 We worked on our musical FUTURITY. From our very earliest performances people told us we should write a musical. At first I didn’t think much of it, but eventually the truth of that connection took hold. Our band was always rooted in musical comedy and relationship. And little did I know The Lisps would send me on a lifelong plunge into writing musicals.

FUTURITY was about a civil war soldier trying, in collaboration with Ada Lovelace, to invent an artificial intelligence that would create peace.

You can read more about it HERE.

In 2013 We wrote seven original songs for a production of The Good Person of Szechwan featuring Taylor Mac and directed by Lear deBessonet. We received a Drama Desk Nomination for Outstanding Music for a Play.

Listen to the music HERE

Here’s the New York Times Review.

photo by Ruby Washington/The New York Times

 VIDEOS:

 

ART:

 Here are some of The Lisps’ flyers…